《設計理念》
月影之境：皮革與自然的交織
本系列皮革拼畫作品，源於設計師對大自然的深刻體悟與情感投射。以皮革為筆，描繪出台灣自然風景的獨特樣貌：山巒、湖泊、雲影與月色，尤其是在靜謐的月夜之下，那些深植人心的輪廓與光影。
創作靈感來自我母親童年時期的記憶：在日月潭尚未成為觀光景點的年代，她仍是國小一年級的孩子，每日需乘船往返學校與家之間。那片湖水，不只是她的通學路徑，也是她與自然建立深刻連結的起點。
透過拼接不同質地與色彩的皮革，我試圖捕捉那段純真年代裡的自然風光與情感軌跡。作品不僅是對自然的詮釋，也是一封寫給記憶與土地的情書。每一幅畫，都是一段關於「回到原初之美」的旅程。
Design Concept
Moonlit Landscapes: The Interweaving of Leather and Nature
This leather collage series stems from the designer’s deep sensitivity to nature and the emotional resonance it evokes.
Using leather as a brush, it portrays Taiwan’s diverse landscapes—rolling mountains, serene lakes, drifting clouds, and moonlight shadows—especially under the stillness of night, when outlines and reflections leave their deepest impressions.
The inspiration originates from my mother’s childhood memories:
Back when Sun Moon Lake was not yet a tourist destination, she was a first grader who traveled to and from school by boat each day. That body of water was more than a daily route—it was the beginning of a profound bond between her and the natural world.
By piecing together leather of varied textures and hues, I seek to capture the landscapes and emotional traces of that innocent time.
Each piece is not only an interpretation of nature, but also a love letter to memory and land. Every artwork is a journey—a return to the beauty of the beginning.
《款式及設計構思》Design Concept
A. 晨的晚安 Good Night at Dawn
月色尚未散去，天已悄然泛白。介於結束與開始之間的片刻，是告別昨日的溫柔低語。
The moonlight lingers as the sky begins to pale. A fleeting moment between endings and beginnings—a gentle farewell to yesterday.
B. 暮夜迷離 Hazy Nightfall
暮色四合，光影交錯，彷彿夢境與現實交疊的邊界。微風拂過湖面，記憶悄然浮現。
As twilight deepens, shadows blur into dreams. A breeze stirs the lake’s surface—memories rise with the mist.
C. 懶洋洋的早晨 A Lazy Morning
陽光緩緩灑落，萬物剛剛甦醒。在那未完成的夢與現實之間，時間彷彿也慢了下來。
The sun spills gently across the landscape as the world slowly stirs. Between unfinished dreams and the waking day, time seems to slow down.
